{"id":204,"date":"2021-10-14T10:19:57","date_gmt":"2021-10-14T10:19:57","guid":{"rendered":"https:\/\/www.behr.com\/pro\/onthejob\/?page_id=204"},"modified":"2021-10-14T10:23:17","modified_gmt":"2021-10-14T10:23:17","slug":"tag","status":"publish","type":"page","link":"https:\/\/www.behr.com\/pro\/onthejob\/tag\/","title":{"rendered":"Tag"},"content":{"rendered":"\r\n
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\n We\u2019ve all seen a beautiful paint job destroyed by tannin bleed, flashing, bubbling, or peeling. Paint failures occur for several reasons, including wrong product, wrong prep, and environmental factors. But it\u2019s not just that; some difficult substrates naturally make the job harder.\r\n\r\n \r\n\r\nTo explain the science behind these notorious troublemakers, as well as the right prep and products to ensure success when you encounter them, we talked to Veronica Jimenez, Director of Primers and Specialty Coatings at Behr Paint Company. She was prepped and ready to answer some tough questions about tough substrates.\r\n\r\n \r\n\r\n\r\n\r\n \r\nFlashing on New Drywall\r\n \r\n\r\nOnce the final coat goes on that fresh, new drywall, the last thing you want is to look down the length of the wall to see changing sheens. It\u2019s the dreaded paint failure called flashing, and new drywall has a special knack for inviting it.\r\n\r\n \r\n\r\n\u201cEveryone thinks that drywall is simple,\u201d warns Jimenez. \u201cIt can be easy, IF you understand a few simple truths and follow one simple rule.\u201d\r\n\r\n \r\n\r\nTruth #1: Not all drywall is created equal.\r\n\r\nTruth #2: Not all joint compounds are created equal.\r\n\r\nTruth #3: Joint compound and joint tape have a different porosity than each other and the drywall itself.\r\n\r\n \r\n\r\n \r\n\r\n To prevent flashing, use a primer to seal in the differing porosity of drywall, compound, and tape so that the topcoat absorbs evenly.\r\n\r\n \r\n\r\nOne Rule: Prep is everything.\r\n\r\n \r\n\r\nFirst things first: Make sure that you and the drywallers are on the same page regarding finish level. It should be at least a level four or five before you begin painting.\r\n\r\n \r\n\r\nIn addition,\r\n\r\n \r\n\r\n \tKnow what products and processes were used.\r\n \tEnsure that all joint compound has been allowed proper dry time (four to eight hours) and has been sanded to hide all imperfections.\r\n \tThe surface should be free of dust buildup.\r\n\r\n \r\n\r\nNext, primer is critical. It seals the different porosity of the materials, creating uniform porosity.\r\n\r\n \r\n\r\nIf you skip the primer, the topcoat will absorb at different rates, causing flashing. \u201cAnd the higher the sheen, the less forgiving,\u201d warns Jimenez. \u201cKILZ\u00ae Drywall Primer is specially formulated to seal in all that varying porosity so that when you put on the topcoat, you\u2019re far less likely to see flashing.\u201d\r\n\r\n \r\n\r\n \r\n\r\n There are critical steps you must take to ensure success when painting water-based paint over oil-based paint.\r\n\r\n \r\nPainting Water-Based Paint Over Oil-Based Paint\r\n \r\n\r\nThere is a long-held rule of thumb that oil sticks to oil and water sticks to water. That\u2019s still true, but today, modern chemistry and a little trick called the bridge coat can still provide an excellent finish when using water-based paint over oil-based paint.\r\n\r\n \r\n\r\nWhat has made painting water over oil traditionally challenging is that, as oil dries, it hardens and crosslinks. As it gets older, it gets harder and smoother, creating a surface that water-based coatings struggle to adhere to.\r\n\r\n \r\n\r\nHowever, as chemical companies have transitioned away from solvent-based coatings toward lower VOC products, they have invested significant dollars into improving additives and coating resins.\r\n\r\n \r\n\u201cWater-based acrylic technology has really improved in the last 10-15 years,\u201d she says.\r\n \r\n\r\nThose improvements have led to adhesion profiles for water-based paints that would have been expected from an oil-based product.\r\n\r\n \r\n\r\nJimenez recommends KILZ\u00ae Adhesion Primer formulated specifically for this purpose.\r\n\r\n \r\n\u201cThe adhesion profile can go over oil-based and also Kynar.\u201d\r\n \r\n\r\nWhile today\u2019s products make it easier for water to adhere to oil, the right prep is also critical to create as many adhesion points as possible.\r\n\r\n \r\n\r\nTo create a bridge coat, start by using a TSP or a cleaning solution to ensure the surface is clean.\r\n\r\n \r\n\r\nNext, scuff sand. Regardless of your substrate or sheen, do a scuff sand before priming. If you are painting cabinetry, doors, or trim with a high sheen, scuff sand between each coating application to get a flawless, high-gloss finish.\r\n\r\n \r\n\r\nIf you are painting a wall with lower sheen paint, a single scuff sand at the beginning of the process before priming will do.\r\n\r\n \r\n\r\nDon\u2019t forget to clean after sanding to remove all dust particles before applying any coating.\r\n\r\n \r\n\r\n \r\n\r\n To prevent tannin bleed, use a stain-blocking primer.\r\n\r\n \r\nTannin Bleed\r\n \r\n\r\nTannin is a natural and important element often found in redwood and cedar. When the tree is in the forest, tannic acid (tannins) creates a hostile environment for fungi and insects, protecting the tree from damage and decay.\r\n\r\n \r\n\r\nWhen the wood is used as a building material, those same tannins are activated by moisture and drawn to the surface of the paint film. This is what leaves those tea-colored stains on your freshly finished paint job.\r\n\r\n \r\n\r\nA multitude of stain-blocking primers are available to help stop tannin from destroying your topcoat.\r\n\r\n \r\n\r\n \tOil\/solvent-based primers block the tannins from moving through the film.\r\n \tWater-based primers allow the tannin to move into the primer coat, and as the primer dries, the stain is locked in.\r\n \tKILZ RESTORATION\u00ae Primer\u00a0combines both blocking (reducing the solubility and migration) and locking (as it dries) with specialized chemistry that helps stop tannin bleed from affecting the top coat.\r\n\r\n \r\nArmed with the right primer, you can significantly reduce tannin bleed.\r\n\r\n \r\n\r\n \r\n\r\n Knowing the proper prep steps and products is the key to making difficult substrates less difficult.\r\n\r\n \r\n\r\nThese substrates have been causing headaches for painters for decades, but luckily, paint companies and chemists like Jimenez have worked tirelessly to innovate and create coatings that solve problems like never before.\r\n\r\n \r\n\r\nThat said, surface prep will always be important. \u201cIf a surface has dirt or anything that impacts the adhesion profile, the product you choose won\u2019t stop a failure from occurring.\r\n\r\n \r\n“But if you\u2019ve prepped properly and follow up with a product that was formulated to be a solution to the problem you are facing, you will be successful.\u201d\r\n \r\n\r\nTo learn more about products formulated for specific substrates or challenges, check out the Behr Pro\u00ae Primer Brochure or contact your local BEHR Pro\u00ae Rep.\r\n\r\n  <\/div>\n
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Business Building<\/div>\n
Pro Tips<\/div>\n
Products<\/div>\n <\/div>\n
\n Dealing with Difficult Substrates <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"Emily\n

Emily Howard<\/p>\n <\/a>\n <\/div>\n

4 days ago<\/div>\n <\/div>\n<\/div><\/div>
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\n  \r\n\r\nIn a standard retail space with limited architectural detail, thoughtful color selection can do more than enhance a design, it can define it. That was exactly the case for Stone Petal Salon in Palm Springs, CA, where color became the primary tool for creating a relaxing, spa-like environment that still feels fresh and inviting.\r\n\r\n \r\n\r\nDesigned by Christopher Kennedy Inc., this project demonstrates how strategic paint choices can elevate both the aesthetic and the client experience, without requiring major structural changes.\r\n\r\n \r\nCreating a Spa-Like Experience Through Color\r\nThe client\u2019s goal was to create a space that feels calm and restorative, while still offering a sense of energy and personality. Without strong architectural features to rely on, the design team turned to color to establish mood and visual interest.\r\n\r\n \r\n\r\nWarm, earthy tones were used to create a welcoming atmosphere, while subtle contrasts ensure the space remains dynamic rather than overly neutral. In the main salon areas, these tones wrap the walls and ceilings, creating a cohesive envelope that immediately sets a tranquil tone upon entry.\r\n\r\n \r\n\r\n\r\n\r\n \r\nA Palette Inspired by the Natural Desert Landscape\r\n \r\n\r\nRather than leaning into traditional Palm Springs design clich\u00e9s, the palette draws inspiration from the surrounding environment. The design centers around a desertscape mural, which informed the overall color direction.\r\n\r\n \r\n\r\nThe mural acts as both a focal point and a guide, pulling in soft blush tones reminiscent of desert sunsets and muted greens inspired by native cacti. This visual anchor helps unify the space, allowing surrounding paint colors to feel intentional and connected.\r\n\r\n \r\n\r\nThe result is a cohesive palette that reflects the natural beauty of the desert while maintaining a refined, modern feel.\r\n\r\n \r\n\r\n\r\n\r\n \r\nEnhancing Architecture with Paint\r\n \r\n\r\nOne of the most impactful design decisions involved the salon\u2019s existing soffits. Instead of removing them, the design team used paint to highlight these architectural elements.\r\n\r\n \r\n\r\nBy applying three tonal variations of the same hue, from darkest to lightest, an ombre effect was created across the ceiling and walls. This approach not only draws the eye upward but also visually softens the transitions between surfaces, making the space feel larger and more fluid.\r\n\r\n \r\n\r\nImportantly, this design solution required no additional materials demonstrating how paint alone can deliver high-impact results in a cost-effective way.\r\n\r\n \r\n\r\n\r\n\r\n \r\nSupporting the Client Experience\r\n \r\n\r\nColor plays a key role in shaping how clients feel within the space. The use of dusty, earthy pinks helps create a calming environment while also being flattering across a wide range of skin tones, an important consideration in a beauty-focused setting.\r\n\r\n \r\n\r\nTo balance these warmer hues, shades of green were introduced in select areas, including private treatment spaces. These greens provide a visual reset and reinforce the salon\u2019s spa-like atmosphere, offering clients a sense of calm and privacy.\r\n\r\n \r\n\r\nTogether, these colors create an environment that feels both relaxing and rejuvenating.\r\n\r\n \r\n\r\n\r\n\r\n \r\nBalancing Color with Natural Materials\r\n \r\n\r\nTo ensure the palette remains sophisticated, the design incorporates walnut wood accents. These darker elements provide contrast and structure, preventing the lighter tones from feeling overly soft.\r\n\r\n \r\n\r\nIn styling stations and millwork, the wood tones ground the space and add a layer of warmth that complements the painted surfaces demonstrating how paint and material selection work hand in hand.\r\n\r\n \r\n\r\n\r\n\r\n \r\nDesigning for Functionality\r\n \r\n\r\nIn task-focused areas like the manicure stations, color was used more strategically. A lighter pink tone was paired with bright white tables to ensure that nail polish displays remain the focal point.\r\n\r\n \r\n\r\nThis approach allows the design to support the salon\u2019s services while maintaining visual consistency throughout the space.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\nIn waiting areas, soft, enveloping tones create a calming backdrop for clients, while subtle shifts in color help define zones without the need for physical partitions. Every corner of the salon, from open styling areas to more intimate spaces was considered, ensuring a cohesive experience throughout.\r\n\r\n \r\n\r\n\r\n\r\n \r\nDesign Takeaways\r\n \r\n\r\nColor can enhance character and architecture to shape the overall customer experience. By leveraging a cohesive, nature-inspired palette and using color strategically, this design delivers a high-impact result without increasing project complexity or cost.\r\n\r\n \r\n\r\nWhen architectural detail is limited, paint becomes your most powerful tool. Layering tones, defining zones through color, and drawing inspiration from the surrounding environment can elevate even the most standard retail space.\r\n\r\n \r\n\r\nColorfully yours,\r\n\r\nChristopher Kennedy\r\n\r\n \r\n\r\n \r\n\r\nWant to know more about Christopher Kennedy? Check out his web and social sites.\r\n\r\n \r\n\r\nDesigner: Christopher Kennedy\r\n\r\nInstagram:\u00a0@christopherkennedyinc\r\n\r\nBehrPro:\u00a0Behr Designer Council\r\n\r\nPhotography: Public311 Design\r\n\r\n \r\n\r\n  <\/div>\n
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Designer Spotlight<\/div>\n <\/div>\n
\n How Color Transformed Stone Petal Salon into a Desert-Inspired Retreat <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"BEHR\n

BEHR Contributing Writer<\/p>\n <\/a>\n <\/div>\n

4 weeks ago<\/div>\n <\/div>\n<\/div><\/div>
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\n As our world becomes more digital, many painting contractors have focused their marketing attention on search, paid ads, and social media to keep the digital lead funnel full. However, it\u2019s important to remember that a laser-sharp focus on client care, reputation, and strong relationships can keep another lead funnel full: referrals. \u00a0\r\n\r\n \r\n\r\nRecently, we sat down\u00a0with\u00a0two long-time contractors, both recipients of multiple industry awards recognizing them for excellent craftsmanship and customer satisfaction.\u00a0\u00a0\u00a0\r\n\r\n \r\n\r\nAlex Wendt is the Vice President and Junior Decorator of Ecclesiastical Studios and Sons, a Missouri-based painting company\u00a0founded in 1956,\u00a0focusing on historic church restorations,\u00a0including plaster repair, decorative painting, altars, statues, gold gilding,\u00a0and stenciling\u00a0\u00a0\r\n\r\n \r\n\r\nChad Lyons is the owner of Lyons Painting and Design, a Washington-based residential and commercial painting company serving the Puget Sound area outside of Seattle and the I-5 corridor. With the average employee tenure of 8-10 years, the crews have deep knowledge and exceptional skills. \u00a0\r\n\r\n \r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\nThey discussed how overcoming application challenges, adaptability when surprises pop up, and strong client communications ensure\u00a0a smooth customer experience that leads to positive word of mouth and referrals.\u00a0\u00a0\r\n\r\n\u00a0\u00a0\r\n\r\nEmily\u00a0Howard:\u00a0How is the\u00a0painting market looking for 2026?\u00a0\u00a0\r\n\r\n \r\n\r\n \r\n\r\n\u00a0\r\n\r\n\u00a0\r\n\r\nAlex\u00a0Wendt:\u00a0For us,\u00a0it’s\u00a0been\u00a0pretty\u00a0steady\u00a0the last\u00a0five\u00a0years.\u00a0Before that,\u00a0we had some experiences with slower years where the jobs were\u00a0smaller. I credit\u00a0word of mouth and\u00a0the work\u00a0we\u2019ve\u00a0done on our website and social media for our steady work recently.\u00a0\u00a0\r\n\r\n \r\n\r\nYou know, everybody said word of mouth is dead,\u00a0but\u00a0in our experience,\u00a0it’s\u00a0still there.\u00a0Priests talk to each other. A lot of them went to\u00a0seminary\u00a0together,\u00a0and they\u00a0regularly\u00a0attend\u00a0retreats together. If you bring value and do what you say\u00a0you\u2019re\u00a0going to do, people will talk about you. Word of mouth has been extremely valuable to us.\u00a0\u00a0\r\n\r\n \r\n\r\nChad\u00a0Lyons:\u00a0We’re\u00a0having a much better start\u00a0to 2026 than\u00a02025. The first quarter of last year was rough, but\u00a0we’ve\u00a0had a much better winter so far this year.\u00a0However, I am hearing locally that there is a\u00a0slowdown\u00a0in new projects.\u00a0The cost of\u00a0building in\u00a0the Northwest is\u00a0high\u00a0right now\u00a0for\u00a0both materials and labor.\u00a0I\u00a0don’t\u00a0think\u00a0the slowdown is\u00a0long-term\u00a0because there are too many people moving to the area for\u00a0new construction\u00a0not to come back.\u00a0But in the short term,\u00a0high costs\u00a0combined with higher interest rates\u00a0are\u00a0pricing a lot of people out.\u00a0\u00a0\r\n\r\n \r\n\r\nWe\u00a0feel\u00a0fortunate\u00a0that we have a\u00a0strong\u00a0workload because so many of our competitors\u00a0don’t, but\u00a0we’re\u00a0cautious.\u00a0We\u2019re\u00a0leaning into the grassroots of sales and marketing with a lot of client care and\u00a0maintaining\u00a0our reputation. We know\u00a0our current client is our referral for our next job.\u00a0\u00a0\u00a0\r\n\r\n \r\n\r\nOne of the best ways that a pro can build\u00a0a strong reputation\u00a0is by solving tough painting challenges.\u00a0What are some of the challenges you face in\u00a0application?\u00a0\u00a0\u00a0\r\n\r\n \r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\nAW:\u00a0For us, because\u00a0we\u2019re\u00a0working\u00a0over\u00a0plaster in churches,\u00a0we have trouble with wax.\u00a0It\u2019s\u00a0tough because\u00a0a lot of times you\u00a0can\u2019t\u00a0see\u00a0it\u00a0on the substrate until you start painting.\u00a0\u00a0\r\n\r\n \r\n\r\nWe also deal with a lot of\u00a0water leaks, plaster repair,\u00a0and\u00a0refinishing woodwork.\u00a0To add to that, you never know what products were used in the last repaint.\u00a0We use a lot of\u00a0Shellac\u00a0primer.\u00a0It\u00a0sticks to\u00a0just about anything, and it\u00a0sands\u00a0it\u00a0nicely.\u00a0\u00a0\r\n\r\n \r\n\r\nDarker colors were also a struggle for years.\u00a0We use a lot of deep base colors\u00a0like\u00a0red\u00a0and\u00a0blue.\u00a0It would take\u00a0three, four,\u00a0or\u00a0five coats to get it to cover. We switched to Behr\u00a0Paint\u00a0about 15 years ago,\u00a0and\u00a0we never went back.\u00a0What\u00a0I love about Behr is that\u00a0after\u00a0two coats of a dark color, it\u00a0looks great.\u00a0\u00a0\r\n\r\n \r\n\r\nCL: Me too. I\u2019ve been really impressed with the BEHR MARQUEE\u00ae paint\u00a0line for its ultra-deep base.\u00a0\u00a0\r\n\r\n \r\n\r\nBecause we do a lot of historic restorations as well, we often see signs\u00a0that the last contractor had a lack of\u00a0substrate, application,\u00a0or\u00a0product knowledge. A lot of times,\u00a0we show up and find that\u00a0they used\u00a0poor\u00a0processes\u00a0or the wrong product for the project.\u00a0It\u2019s\u00a0so important that pros understand\u00a0products\u00a0and\u00a0how atmospheric conditions affect how\u00a0they perform.\u00a0\u00a0\r\n\r\n \r\n\r\nAnother challenge we work hard to overcome is understanding\u00a0the\u00a0customers\u2019\u00a0goals\u00a0and\u00a0budget so that\u00a0we\u00a0can set the project up for success. Not everyone can afford\u00a0the Cadillac\u00a0of painting jobs,\u00a0so\u00a0it\u2019s\u00a0our job to know where we can step back on product and prep\u00a0when a budget is tight\u00a0and still give them a good result.\u00a0\u00a0\r\n\r\n \r\n\r\nWhat\u2019s\u00a0your strategy for\u00a0meeting their budget while also\u00a0guiding them towards the proper products and processes for a lasting finish?\u00a0\u00a0\r\n\r\n \r\n\r\n \r\n\r\n\r\n\r\n\u00a0\r\n\r\n \r\n\r\nCL:\u00a0We\u00a0have a multitude of approaches.\u00a0From\u00a0an estimating standpoint, we\u00a0make sure we are\u00a0really up\u00a0to speed on product knowledge,\u00a0substrate\u00a0knowledge, and how different conditions affect application and longevity. We\u00a0educate\u00a0the client\u00a0about\u00a0these things\u00a0from the start.\u00a0\r\n\r\n \r\n\r\nOn\u00a0the\u00a0operations\u00a0side, we are sure that they are well-versed\u00a0in\u00a0the same things. That\u00a0way,\u00a0when\u00a0a\u00a0pressure wash reveals\u00a0something\u00a0the estimator\u00a0couldn\u2019t\u00a0see, the\u00a0team\u00a0can pivot.\u00a0Sometimes\u00a0you\u00a0have to\u00a0go to the client and\u00a0make adjustments\u00a0to\u00a0the scope of\u00a0work, but\u00a0sometimes\u00a0we can change how we approach the project to\u00a0achieve\u00a0a\u00a0lasting finish.\u00a0\u00a0\r\n\r\n \r\n\r\nWe want our crew to speak up if the product specified\u00a0no longer meets the needs of the situation, but we also want to think creatively about how we move forward.\u00a0\u00a0\r\n\r\n \r\n\r\n \r\n\r\n\r\n\r\n\u00a0\r\n\r\n \r\n\r\nAW: We charge a fee for site visits and estimates because they require travel and are an intensive process. We make it a priority to answer all their questions and learn as much as we can about their expectations. We also take time to alert them to problem areas and do a rendition with what it could all look like. \u00a0\r\n\r\n \r\n\r\nI also agree with Chad.\u00a0When you run into\u00a0problems\u00a0you\u00a0have to\u00a0adjust.\u00a0It\u2019s\u00a0so important to\u00a0come up with\u00a0creative solutions and\u00a0think outside the box\u00a0and find a way to move forward.\u00a0\u00a0\r\n\r\n \r\n\r\nCL:\u00a0Exactly.\u00a0We always want the client to understand\u00a0the challenge, how\u00a0we\u2019re\u00a0pivoting,\u00a0and why.\u00a0\u00a0\r\n\r\n \r\n\r\nTo learn more about\u00a0how\u00a0Behr Paint can help you,\u00a0contact\u00a0a\u00a0BEHR Pro Rep.\u00a0\u00a0\r\n\r\n \r\n\r\n\u00a0 <\/div>\n
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Business Building<\/div>\n
Pro Spotlight<\/div>\n
Pro Tips<\/div>\n <\/div>\n
\n How Painting Contractors Build Reputation <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"Emily\n

Emily Howard<\/p>\n <\/a>\n <\/div>\n

2 months ago<\/div>\n <\/div>\n<\/div><\/div>
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\n Wood stains shape both the look and longevity of outdoor surfaces while highlighting the natural character of the material. For the 2026 Exterior Stain Color of the Year, Taupe introduces a balanced neutral that blends soft brown and gentle gray undertones for a refined, versatile finish perfect for your clients\u2019 outdoor spaces.\r\n\r\n \r\n\r\n House body: Spanish Sand, wood deck: Taupe (solid wood stain), roof trim: Baronial Brown, fence: Taupe (semi-transparent wood stain)\r\n\u200b\u00a0\r\n \r\n\r\nThe balanced blend of muted tones brings subtle color to exterior surfaces, allowing the natural wood grain to show through for a timeless finish.\u00a0The versatility of Taupe helps to create cohesive residential or commercial outdoor environments across a wide range of exterior applications, making it easy to carry a consistent look across different project types.\r\n\r\n \r\n\r\n \r\n\r\n Taupe Featured in Solid Color (SC-153) & Semi-Transparent (SC-153) Stain\r\n\r\n \r\n\r\nBoth solid and semi-transparent finishes offer a polished look on decks, fences, porches, patio ceilings, railings and more.\r\n\r\n \r\n\r\n House body: Taupe, wood deck: Taupe, ceiling: Chocolate (Semi-transparent Wood Stain), railing: BLACK (Spray Paint)\r\n\r\n \r\n\r\nApply Taupe in a semi-transparent finish to highlight the natural character of the wood while adding contrast and dimension across the surface.\r\n\r\n \r\n\r\nOr choose Taupe in a solid finish for outdoor structures to create a strong architectural feature that anchors the surrounding space.\r\n\r\n \r\n\r\n House body: Boreal, trim: ULTRA PURE WHITE\u00ae, deck: Cordovan Brown, railings & pergola: Taupe (Solid Wood Stain)\r\n\r\n \r\n\r\n \r\n\r\nOutdoor Accent Color Collection\r\n \r\n\r\nThis year\u2019s Exterior Stain Color of the Year launches alongside the Outdoor Accent Color Collection, a curated palette of 18 exterior paint colors designed to complement Taupe and personalize outdoor spaces whether it\u2019s a residential or commercial location, making it easier to tailor each job to your client\u2019s style.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\nTaupe acts as a grounding neutral for larger exterior wood surfaces such as decks, fencing, siding, and pergolas. While Outdoor Accent Color Collection introduces intentional pops of color for doors, shutters, trim, and outdoor d\u00e9cor, creating a cohesive, customized look across each project.\r\n\r\n \r\n\r\n House body: Boreal, trim: ULTRA PURE WHITE\u00ae, deck: Cordovan Brown, railings & pergola: Taupe (Solid Wood Stain)\r\n\r\n \r\n\r\nTo support quick updates on the job, select colors from the collection are also available in spray paint, offering a convenient way to introduce coordinated accents and refresh patio furniture, planters, and outdoor accessories.\r\n\r\n \r\n\r\n House body:\u00a0Muted Sage,\u00a0floor: Taupe\u00a0SC-153,\u00a0trim:\u00a0ULTRA PURE WHITE\u00ae, swing:\u00a0Park Picnic\r\n\r\n \r\n\r\nThe 2026 Exterior Stain Color of the Year and Outdoor Accent Color Collection is available exclusively at The Home Depot. Consumers can find Taupe in a variety of BEHR\u00ae products, including the #1 rated exterior stain, according to a leading independent consumer publication, BEHR PREMIUM\u00ae Solid Color Waterproofing Stain & Sealer. The color is also available in BEHR PREMIUM\u00ae Semi-Transparent Waterproofing Stain & Sealer, BEHR\u00ae DECKplus Waterproofing Wood Stain, BEHR\u00ae Solid Color House & Fence Wood Stain, and BEHR PREMIUM\u00ae ADVANCED DECKOVER\u00ae.\r\n\r\n \r\n\r\nTo explore the 2026 Exterior Stain Color of the Year and the Outdoor Accent Color Collection, visit behr.com\/2026staincoty.\r\n\r\n  <\/div>\n
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Trends<\/div>\n <\/div>\n
\n 2026 Exterior Stain Color of the Year: Taupe <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"Gabriella\n

Gabriella Levin<\/p>\n <\/a>\n <\/div>\n

3 months ago<\/div>\n <\/div>\n<\/div><\/div>
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\n While big commercial jobs come with big revenue, more square footage means small problems can quickly become big problems. When challenges or questions arise, don\u2019t overlook one key player who holds a treasure trove of knowledge: your paint rep.\r\n\r\n \r\n\r\nArek Anysz is a Regional Pro Sales Manager at Behr Paint Company, and he has worked with pros to solve just about every paint challenge in the book. I sat down with him to talk about three common challenges pro painters face on the commercial jobsite and how to fix them.\r\n\r\n\r\n\r\nDry Hide vs. Wet Hide\r\nHiding the surface or color underneath is one of the most important functions of paint. That\u2019s why it\u2019s important to know there are two different kinds of hide: dry hide and wet hide. Dry hide refers to the ability of a fully cured coating to hide the surface underneath, whereas wet hide measures how well a wet coating hides the surface underneath. Ultimately, a good dry hide is the true measure of success.\r\n\r\n \r\n\u201cWe manufacture to have a better dry hide than a wet hide,\u201d says Anysz, \u201cmeaning when the product is wet and still curing, it may not look uniform, but as it dries out, the moisture evaporates and all the solids tighten up and level out.\u201d\r\n\r\n \r\nIf a painter is unfamiliar with the product, they may apply too many coats before the paint dries, thinking they need more coverage, which wastes both time and money. The important thing is to let it dry, then decide whether more coats are necessary.\r\n\r\n \r\n\r\n\r\nTouch-Up\r\nOnce paint has dried, cured, and aged, it is notoriously challenging to touch up. \u201cTouch-up is an art form in the paint industry,\u201d says Anysz. Still, the ability to seamlessly touch up paint is a huge selling point, especially in the commercial space. With the right product and some practice, any pro can master their touch-up technique.\r\n \r\n\r\nAnysz says there are a host of reasons that touch-ups fail. \u201cI\u2019ve seen scenarios that vary from simply not enough paint being applied to using the wrong application method.\u201d\r\n\r\n \r\nMastering the perfect touch-up requires matching color, sheen, application tool, and application method, to name a few.\r\n\r\n \r\n\r\nMost pros can match the color and sheen well, but many overlook matching the process and application method.\u00a0\r\n\r\n \r\n\r\nUse the same tool that was used on the original finish. If you are touching up a wall that was originally rolled and you try to touch up by spraying, that will cause continuity problems. In this instance, back rolling will better achieve the right texture and sheen pattern. It\u2019s also important to ensure you apply paint at the right mil thickness.\r\n\r\n \r\n\r\nBecause overworking the paint while it\u2019s curing causes a host of finish problems, it\u2019s important to get it right the first time. If you are new to touching up or you are using a new product, it\u2019s worth a little extra time in the shop to dial in your plan and practice feathering and diluting the paint to get the perfect touch-up.\r\n\r\n \r\nTemperature Changes\r\nEvery can of paint tells you the temperature range in which it can be applied successfully. Generally speaking, the range is from 35\u00b0F to 90\u00b0F. Applying paint outside of the recommended range stresses the paint and can lead to cosmetic issues or coating failure.\r\n\r\n \r\n\r\nIt\u2019s critical to remember that the temperature guidelines apply to both ambient and substrate temperature. If it\u2019s 70\u00b0F outside and you haven\u2019t checked the substrate temperature, you may believe that you are well within range.\r\n \r\n\r\n\u201cIf you are painting on the sunny side of the house at 2 p.m., the substrate can be over 100\u00b0F,\u201d says Anysz. That high temperature on the substrate causes the paint to dry faster than it can level out, leading to flashing, or uneven sheen and visible lap marks.\r\n\r\n \r\n\r\n \r\n\r\n\r\n \r\n\r\nThe same idea applies when it\u2019s cold outside. If the outside ambient temperature is 38\u00b0F and you are painting in the shade, the substrate may only be 28\u00b0F. That colder substrate temperature can lead to slower film formation, reduced water evaporation, or increased surface tension. All of these lead to white streakiness known as \u201csurfactant leaching\u201d.\r\n\r\n \r\nExecution Matters\r\nPainting in the commercial space can lead to much bigger jobs and higher revenue. Avoid costly mistakes by planning, testing, and utilizing your paint rep to ensure a successful finish.\r\n\r\n \r\n\r\nTo learn more about Behr\u2019s commercial-grade products and jobsite solutions, contact your BEHR Pro Rep.\r\n\r\n \r\n\r\n  <\/div>\n
\n \"COMMERCIAL <\/div>\n
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Business Building<\/div>\n
Pro Tips<\/div>\n <\/div>\n
\n Common Commercial Paint Problems <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"Emily\n

Emily Howard<\/p>\n <\/a>\n <\/div>\n

4 months ago<\/div>\n <\/div>\n<\/div><\/div>
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\n Older homes possess a charm loved by many. While the history and unique details make them attractive to homebuyers, they also make repairs and repaints more challenging for pros. Each project requires astute problem-solving skills and knowledge of products and standards to ensure success.\r\n\r\n \r\n\r\n\r\n\r\nPeter Schumerth, VP of Product Management, discusses four common problems and strategies to help you restore that old beauty.\r\n\r\n \r\nGet RRP Certified\r\n \r\n\r\nLead-based paint might not be on the shelves anymore, but that doesn\u2019t mean it isn\u2019t hiding on the walls of older homes.\r\n\r\n \r\n\u201cPainting contractors disturbing the coating on any home that was built pre-1978 require a Renovation, Repair, and Painting (RRP) Certification*,\u201d says Schumerth.\r\n\r\n \r\nThe certification ensures that those working on older homes and potentially dealing with lead-based paint are up to date on the latest rules and best practices surrounding testing, hazards, safety, containment, documentation, and disposal.\r\n\r\n \r\nProperly Handle Mold and Mildew\r\n \r\n\r\nMold and mildew are not uncommon, especially in older homes. When you find the telltale signs of mold or mildew (discoloration, smells, peeling paint, warped substrate, etc.), first things first: Ensure the source of the moisture is fixed.\r\n\r\n \r\n\r\nNext, it\u2019s time to remove the mold and mildew.\r\n\r\n \r\n\u201cThere are many \u2018mold-killing primers\u2019 out there,\u201d says Schumerth. \u201cThis can create the perception that you can slap the primer on over the mold and mildew, and you are good to go.\u201d\r\n\r\n \r\nWhile the mildewcide in these products will help fight both in the future, you need to remove any mold and mildew present before priming. Remove mildew stains with a mildew stain removing product. Commercially available mildew cleaners will do the trick.\r\n\r\n \r\n\r\n\r\n\r\n \r\nAssess the Current Coatings\r\n \r\n\r\nWith older homes, you do not always get to start with a fresh new palette. You can try to talk your clients into taking it down to bare substrate, but time and budget rarely allow that option. This means that each layer of built-up coating has the potential to affect your finished project, requiring additional consideration when choosing prep steps and selecting a paint.**\r\n\r\n \r\n\r\nStart with a thorough assessment of the surface to check for adhesion issues. \u201cYou can do this by making a simple \u2018X\u2019 mark with a razor (cut as deep as you can and in multiple locations), then do the tape test,\u201d advises Schumerth. \u201cThis test allows you to evaluate the integrity of the layers underneath.\u201d\r\n\r\n \r\n\r\nPaint coming up with the tape indicates an adhesion issue. Depending on how large an area peels, you\u2019ll need to either spot sand and prime or do a full sand and prime to ensure you have a smooth, sound surface for your topcoat.\r\n\r\n \r\nChoose the Right Paint\r\n \r\n\r\nEach new layer of paint creates tension on existing coatings. Even if your topcoat adheres beautifully to the coating immediately beneath, you need the bridge between each coating below it to hold as well.\r\n\r\n \r\n\u201cFor older homes, I recommend BEHR PREMIUM PLUS\u00ae due to its lower binder content. Higher binder and resin content can create more tension, causing additional adhesion stress on the coatings beneath it,\u201d says Schumerth.\r\n \r\n\r\n\r\n\r\nWhile older homes require knowledge and diligence from a pro painter, painting older homes can be a very rewarding and lucrative market.\r\n\r\n \r\n\r\nTo learn more about Behr\u2019s products, contact your BEHR Pro Rep.\r\n\r\n \r\n\r\n*This blog is for informational purposes only and contractors are responsible for complying with all applicable federal, state, and local regulations.\r\n\r\n \r\n\r\n** If you encounter significant mold, water damage, or structural concerns, consult a licensed professional to assess current conditions before proceeding. The guidance provided here is intended for general informational purposes only and may not apply to all situations.\r\n\r\n  <\/div>\n
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Business Building<\/div>\n
Pro Tips<\/div>\n
Products<\/div>\n <\/div>\n
\n Solving Paint Problems with Older Homes <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"Emily\n

Emily Howard<\/p>\n <\/a>\n <\/div>\n

5 months ago<\/div>\n <\/div>\n<\/div><\/div>
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\n For homeowners, beautifully painted cabinets can be a great source of pride. For painting pros, they can showcase exceptional skill, product knowledge, and attention to detail. However, these projects are notoriously unforgiving, especially when steps are skipped or improper products are selected. Check out this list of pro tips to ensure you and your crew are prepped to do the job right.\r\n\r\n \r\n\r\n\r\nCustomer Prep\r\nAll jobs start with excellent prep, and the first prep step is fully understanding the expectations, current conditions, and potential challenges. Start by finding out the level of finish that the customer expects.\r\n\r\n \r\n\u201cIt depends on what the paying customer wants. You\u2019ll choose different products depending on whether they want a factory finish or a basic repaint to spruce up the cabinets,\u201d says Ed Edrosa, Senior Product Manager for Behr Paint.\r\n \r\n\r\nMany contractors offer an array of products and finish levels, so the customer can choose an option that meets their needs and budget. If you only do high-end projects and are unwavering in your quality standards, create a strong qualifying process to identify the prospects who can afford your level of work.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\nBefore giving an estimate, inspect for defects that could add additional prep work to the project. High levels of grease, dents\/holes, mixed materials, and wood species that require grain filler are a few examples of things to look for. Prepare for sneaky challenges that often pop up once the project is in process. Many contractors recommend a clause in the contract that addresses how unforeseen challenges will be handled.\r\n\r\n \r\nJob Site Prep\r\nA well-planned job site helps the job move along efficiently, ensures that everyone stays safe, and that everything in the home stays clean and damage-free.\r\n\r\n \r\n\r\n \tOverspray: Since most cabinets will be sprayed, all surfaces not being sprayed should be properly covered to protect them from overspray.\r\n \tVentilation\/PPE: Properly train crew members and ensure use of appropriate PPE. Set up your site for proper ventilation and air filtration.\r\n \tLighting: Good lighting is critical to ensure that nothing is missed during prep and you can quickly see any imperfections in the coating that need attention.\r\n \tTransportation: If you are taking drawers and doors off-site to a shop, don\u2019t forget to wrap and secure them to protect the items from damage.\r\n\r\n \r\nSurface Prep\r\nGrease and oil are common in kitchens, and they wreak havoc on paint. Begin with a good old-fashioned cleaning. Grease cutters like Dawn dish soap, TSP, and, in tough situations, denatured alcohol are good go-tos. Inspect and scrape the cabinets, and clean all their nooks and crannies.\r\n\r\n \r\n\r\nSanding strategy and primer choice are situational. Generally, a three-coat system with a scuff sand before each coat will give you a quality result. Follow these steps:\r\n\r\n \r\n\r\n \tSand\r\n \tPrime\r\n \tSand\r\n \tCoat one\r\n \tSand\r\n \tCoat two\r\n\r\n \r\n\r\nRemove dust with a vacuum cleaner after sanding, and wipe all surfaces with a wet rag or tack cloth.\r\n\r\n \r\nChoose a primer that is formulated for your specific situation. For instance, if you are painting enamel over previously painted cabinets, \u201cour BEHR\u00ae\u00a0Kitchen, Bath & Trim Stain-Blocking Primer & Sealer will do the trick,\u201d says Edrosa. This primer blocks medium-to-heavy stains and is perfect for properly prepped glossy surfaces.\r\n\r\n\r\nHowever, if you are working on something like melamine cabinets, it\u2019s better to use a bonding primer like BEHR Interior\/Exterior Bonding Primer for its high-adhesion qualities.\r\n\r\n\r\nPaint\r\n\r\n\u201cNot every paint can be used on cabinets,\u201d warns Edrosa. Even once old grease is removed, the new coating needs to hold up to future grease. \u201cThe oils soften the paint film, so if you don\u2019t use the right paint, you can end up with something that looks good, but you\u2019ll get a callback in a few months because the paint is softening and accumulating dirt.\u201d Cabinet paints are formulated with special resins designed to resist grease and prevent staining. While it is possible, it\u2019s rare to see a successful cabinet job that doesn\u2019t use spraying as its primary application method.\r\n\r\n\r\n\u201cTechnique plays a big part in a beautiful and lasting result,\u201d says Edrosa.\u00a0\u00a0\r\n \r\n\r\nBefore spraying, always strain the paint to remove impurities that can clog the tip or spray debris with your topcoat. It\u2019s best to apply two thinner coats as opposed to one thick coat.\r\n\r\n \r\nBuild a System\r\nIt might seem impossible to create a system that handles the wide array of substrates, expectations, and challenges that come with painting cabinets, but if you establish standard operating procedures around what you see most and build flexibility into contracts for unknown unknowns, you can take a lot of stress out of the job.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\nSet your standard offers and price, and only take on those gnarly jobs when you are sure you are ready for them (and up-charging for them).\r\n\r\n \r\n\r\nCabinets, while more challenging than a lot of other repaint work, are popular and lucrative projects. It\u2019s worth the time and effort to become known for your excellent cabinet work.\r\n\r\n \r\n\r\nTo learn more about Behr\u2019s cabinet products, contact your local BEHR Pro Rep.\r\n\r\n  <\/div>\n
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Business Building<\/div>\n
Pro Tips<\/div>\n
Products<\/div>\n <\/div>\n
\n Pro Tips for Painting Cabinets <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"Emily\n

Emily Howard<\/p>\n <\/a>\n <\/div>\n

6 months ago<\/div>\n <\/div>\n<\/div><\/div>
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\n \u00a0 \u00a0\u00a0 \u00a0\u00a0Behr Contributing Writer: Stephanie Lindsey, Principal and Co-Founder of Etch Design Group\r\n \r\n\r\nImagine painting a bear\u2026 a BEHR bear. At NeoCon, Behr Paint typically has this life-sized bear for guests to paint, and each year is a new design on the bear. It\u2019s a creative approach to showcasing their brand. In the middle of the booth, this 3D bear is sectioned off into small squares, each about three inches wide, and it was the talk of the show. I loved seeing how the bear changed with each visitor! This collaborative art piece became an unexpected emotional moment for many of us.\r\n\r\n \r\nEach painted square added to the story of the bear, which in turn, told the story of those who had passed through the space.\r\n \r\n\r\nThere was something special about watching people discover the Behr bear, take time to think about what they wanted to paint – and which spot – and then invest time in something tactile and creative during such a busy conference. It made me think about the design industry as a whole and how we all contribute to the larger community as a team. Which then leads me to think about the Behr Designer Council for this year\u2026\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\nEarlier this year, I had the privilege of joining Behr\u2019s inaugural Designer Council. We met for the first time in California at the Behr headquarters, and that trip set the tone for everything that followed. We dove deep into product knowledge, toured their facilities, and met the Behr team. We had open conversations about design trends and where the industry is heading. The Behr team had done so much research on past, current, and future trends, and it was eye-opening to see what those looked like visually. What stood out the most was how much Behr truly listens.\r\n\r\n \r\nThey want to know what matters to designers. And when you feel heard, you naturally become an advocate for that brand.\r\n \r\n\r\nAs a group, we were tasked with creating initial concepts for the 2026 Commercial Color Forecast, and it was such a blast! It\u2019s not every day that we as designers get to be involved in something like that. I have a personal love for Fusion Dream because it ties into my love for technology and AI. Glamorous (P130-7) and Inferno (P190-7) are my two top favorites within that collection. At NeoCon, we revealed the 2026 Color Forecast, and I felt honored to represent the council at the Behr booth.\r\n\r\n \r\nPeople were so curious, not just about the colors, but about how they were chosen, what they represent, and how they\u2019ll be used in commercial spaces.\r\n \r\n\r\n\r\n\r\n \r\n\r\nOh, and the tote bags? Did you hear about the tote bags? Behr created the cutest teal totes for the event, and they became hot commodities. We literally had to space out their distribution to make sure we didn\u2019t run out by day two. I saw people walking the show with five different totes, but you better believe the Behr bag was always on top.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\nSeeing the buzz at NeoCon reminded me of our own projects where Behr has played a role. At Acton Academy, we designed and executed three murals using Behr colors. One featured a bold logo wall that greets students every morning, another was a geometric patterned mural, and the last was a quote wall that inspires curiosity and learning. These murals were brought to life by local muralist Tiffany Dewitt from Color Brush Co, and her artistry paired perfectly with Behr\u2019s vibrant and durable paint selections.\r\n\r\n \r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n \r\nAs a co-founder of Etch Design Group, I\u2019m always looking for ways to blend innovation and authenticity. And as the co-creator of AI for Interiors, it\u2019s exciting to be part of conversations that span from color trends to cutting-edge technology.\r\n\r\n \r\nIf you\u2019re curious about where commercial color is headed or want to see how Behr is pushing the boundaries, check out the full 2026 Color Forecast. And if you ever get the chance to paint a piece of a Behr bear, don\u2019t hesitate\u2026 because trust me, your little square might just inspire the next big thing.\r\n\r\n  <\/div>\n
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Designer Spotlight<\/div>\n
Pro Spotlight<\/div>\n <\/div>\n
\n Designing in Color <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"BEHR\n

BEHR Contributing Writer<\/p>\n <\/a>\n <\/div>\n

7 months ago<\/div>\n <\/div>\n<\/div><\/div>
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\n Paint and primer in one formulas have long been a hot topic of conversation among pro painters. While fewer steps can benefit busy contractors, you should never compromise quality.\r\n\r\n \r\nUltimately, superior finishes require proper product selection and prep. \u201cUsing a primer is widely regarded as best practice in the professional painting world,\u201d says Ed Edrosa, Senior Product Owner \u2013 Pro at Behr Paint Company.\r\n \r\n\r\nWhile skipping important steps is not the right path to a professional finish, it\u2019s worth knowing when to prime and when a paint and primer in one product can save time and produce a beautiful, flawless finish.\r\n\r\n \r\n\r\n \r\n\r\n\r\nPaint with a Primer, vs Paint and Primer in one\r\n\r\n\u201cPaint is a coating made to be decorative and to protect. It enhances the beauty and seals the surface,\u201d says Stephanie Glick, Research Fellow at Behr Paint Company. \u201cPrimer, on the other hand, is a little bit more complex. Primers are much softer and gummier. They\u2019re made for adhesion, and it\u2019s much easier for them to do the one thing they\u2019ve been formulated for.\u201d\r\n\r\n \r\nBecause many primers are formulated for specific scenarios, a thorough understanding of where products perform best is crucial. \u201cPrimers can create adhesion to surfaces that are harder to stick to, seal porous substrates, lock in stains and odors, prevent cracking, block tannins, prevent grain raise, and lock in efflorescence, to name a few,\u201d stated Glick.\r\n \r\nPaint and primer products are designed to do a bit of both and are also designed for specific scenarios. \u201cYou are still going to get a really good primer, but not a primer built for specific challenges,\u201d says Glick. The key to choosing the right product for your job comes down to the substrate and your goal.\r\n \r\n\r\nA few of the questions you should ask yourself before choosing a paint, a primer, or a paint and primer product include:\r\n\r\n \r\n\r\n \tWhat is your substrate?\r\n \tHas it been previously coated? With what?\r\n \tAre there imperfections? (Stains, holes, etc.)\r\n \tDo you need scuff resistance?\r\n \tDo you want one-coat hide?\r\n \tDo you want 10-year color fade protection?\r\n \tIs easy touch-up and spray sheen uniformity important to you?\r\n \tWhat\u2019s your budget?\r\n\r\n\r\nTo Prime\r\n \r\n\r\nGenerally speaking, you need to prime before painting when working with raw or imperfect surfaces that need a bit of extra attention to get them smooth, sound, and ready for a topcoat.\r\n\r\n \r\nFor example, new or unsealed surfaces require primer. \u00a0\u201cWith drywall, you\u2019ll see sheen differences at the joint line if you don\u2019t prime,\u201d says Glick. Additionally, porous surfaces, like stucco, will soak up too much paint, making priming the most efficient and economical choice. \u201cA blocking primer is best for wood, especially redwood, cedar, teak, and mahogany, to avoid tannin bleed,\u201d says Glick.\r\n\r\n \r\nThere are primers specifically formulated for metal and concrete. \u201cFor instance, BEHR\u00ae Metal Primer is formulated to help protect new metal surfaces from corrosion and can even be applied over sound, rusty metal,\u201d said\u00a0Edrosa. BEHR\u00ae Multi-Surface Stain-Blocking & Sealer ensures better adhesion and long-term durability on concrete or masonry surfaces with high alkalinity.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\nWhile some situations require a full prime, others only require spot priming. \u00a0Glick points to tilt-ups, a construction method commonly used in many commercial buildings \u00a0as a great example. Tilt-up construction is a building technique where large concrete panels are made flat on the ground then tilted upright after they dry.\r\n\r\n \r\n\u00a0\u201cIf you use BEHR PRO\u00ae e600 Exterior Paints, you can do all the broad surfaces without a primer because it\u2019s great at sealing the surface. However, on tilt-ups, you have sealant between the joints, and because the sealant is \u00a0so flexible, you have to add a primer coat to help the coating flex with the natural movement of that joint.\u201d\r\n \r\n\r\n \r\n\r\n\r\n\r\n \r\nOr Not to Prime\r\n \r\n\r\nNot all paint jobs are fraught with challenges. This is where a paint and primer in one product can save time and money. \u201cPaint and primer products are generally most effective when refreshing previously painted surfaces that are in good condition, particularly for interior spaces. They offer convenience and solid coverage in these scenarios,\u201d says Edrosa.\r\n\r\n \r\n\u201cEven if you have a stain on the wall, like lipstick, some of our higher lines, like BEHR Dynasty\u00ae, are designed to block those very well. However, if you want to buy a more economical product, you might want to spot prime those stains,\u201d says Glick.\r\n \r\n\r\n\r\n\r\n \r\n\r\nEvery paint job is unique, but with the proper knowledge, you can choose the right product to solve problems and save time.\r\n\r\n \r\n\r\nIf you have product selection questions, contact your local BEHR Pro Rep.\r\n\r\n  <\/div>\n
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Pro Tips<\/div>\n
Products<\/div>\n <\/div>\n
\n To Prime or Not to Prime <\/div>\n <\/a>\n
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\n Go to author’s page<\/span>\n \"Emily\n

Emily Howard<\/p>\n <\/a>\n <\/div>\n

7 months ago<\/div>\n <\/div>\n<\/div><\/div> <\/div>\r\n <\/div>\r\n\r\n
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